Projects
- Colour Data Processing : Ryan Boatright, Jordan Tate, + Adam Tindale. (Installation) 2011 -
- Octophonic : Live Audio Performance Piece. 2011
- Record : Online EP. 2011
- ARRAY : Rick Silva (Visuals), Adam Tindale (Electronics) + Katherine Fraser (Violin). 2010 -
- Lossless Processing : Jordan Tate + Adam Tindale. (Image Transformation Software Art). 2010 -
- Vector Rails : Clinker (Modular Synthesizers) + Adam Tindale (Electronic Drums). 2009 -
Research
Past Projects
- Secret Axis : Cultural Exchange via Audio Art. 2010
- ALE : ACAD Laptop Ensemble. 2008-2011
- The Open Spaces Project : Daelik (Choreography), Paul Gazzola (Set Design + Dramaturge), + Adam Tindale (Audio + Video). 2009
- Duo with Chris Chafe : Chris Chafe (Electronic Celletto) + Adam Tindale (Electronic Drums) 2009
- i send data live : Robin Davies (Laptop) + Adam Tindale (Electronic Drums) 2004-2008
- Trimpin's Turntables : Robot Turntables. 2005
- Smackon 9000 : New Interface for Musical Expression Class Project. 2003
Other Projects (Bands, Groups, etc.)
- The Electron Orchestra Withdrawal - Clinker (Bass, Electronics), Jackson 2Bears (Turntables, Electronics), Les Robot (Guitar), Adam Tindale (Electronic Drums). 2008
- Palimpsest - Graham Freeman (Guitar), Sandra Marshall (Theremin), Adam Tindale (Tabla and Percussion). 2000-2002
- Outlyre - Chris Zaremba (Guitar and Vocals), Adam Tindale (Drums, Electronics and Vocals). 2001-2002
- LUVLEE - Live University of Victoria Laptop and Electroacoustic Ensemble. 2004-2007
- LEARK - Live Electroacoustic Research Kitchen. 2000-2002
- Appleman Collective. 2008-2009
- Andrea Revel. 2008-2010
Secret Axis
http://modisti.com/n10/?p=5542
Smackon 9000
This is an early digital musical instrument that was created in a class at McGill University. The class was divided up into groups containing a technologist, a performer and a composer. The group was responsible for designing and implementing a new musical instrument and then creating a piece of music for it and then having it performed in a concert setting.
The smackon9000 utilized a wacom tablet and a keyboard in order to put early versions of the instrument into the performer's hands. This allowed the performer to give feedback about the handling of the instrument and not just speculating on the desired features. The keyboard emmulates flute fingerings because the performer was a trained flutist.
Trimpin's Turntables
Trimpin, the famous sound sculptor, brought his musical turntable robots to the University of Victoria and left them for two months to allow students to deeply explore them. During this time I currated the exhibit locally and provided initial training to all particpants, as well as giving demos for interested researchers.
My short performance utilizes a game controller and Max/MSP to send MIDI messages to the robots. Various Wagner records were used as source material.